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Stainless steel frets in some custom made necks make it even easier to bend and shake.A good, fat/big neck will enhance sustain, punch, harmonics and richness in your tone, which is you want when going for the SRV tone.Also make sure that the neck wood and lacquer is smooth and not braking and limiting your bend moves when in contact with your fingers.A guitar set up for SRV is not easy to master for entry-level players that favor easy-played low-action guitars with thin strings.A valid question is if the audience can tell if you have a small or big amp when they hear the guitar and amp through a PA? You can nail the SRV tone with small Fender amps too.You deserve to try playing Mary had a little lamb with a slightly cranked Princeton Reverb equipped with a Jensen C12n speaker. Just make sure the amps are dialed in correctly with powerful speakers that don’t distort and have lots of punch, both lows and highs. Make sure it is not pushed too hard into distortion, but set nicely at its sweet spot with just s little power amp breakup (think Little Wing intro).But by endless practicing of the SRV technique, energy and power, you will achieve both great guitarist skills and tone. An important factor to his big and powerful tone was that he used several amps both in studio and on stages, each delivering their thing to the table.

This is a big topic itself, we have to leave it out for now.But make sure that the frets and neck together are not too big for your hands.You need to be able to play quickly with lots of bending without getting tired after 3 minutes of Texas Flood.Any loss of tone fatness can partly be compensated for in your pedals and amps – therefore you should use strings that suit fingers with a correct relationship between finger strength and string gauge.Tune down to Eb and try with 011, 015, 018, and you’ll experience that the SRV and Albert King licks are bouncing out of your left hand.

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